Buy The Book Fair 2016

October 23, 2016



Buy The Book Fair 2016

Buy the Book is an annual event held at Central Booking, located in the Lower East Side of Manhattan. As part of New York Print Week, Buy the Book 2016 will feature printmaking and book artists with exhibitors from around the country and the world in an intimate gallery setting. I'll be showing several of my recent works, including the artist books I created after my residency in Scotland this spring, and of course the wonderful project Fossils and Whispers that I created with Cat Snapp last summer.




Fossils & Whispers interior

MAPC 2016!

October 14, 2016

I just returned from the Mid-America Print Council Conference (in Louisville this year) and it was a pretty good time. I didn't get a chance to see nearly as many things as I planned to see, but I got to see people, and to me, that's what makes these things all worth the effort. I have realized over the years that I am privileged to have an extended group of friends that have become family, and to a much larger extent, a community of reliable and dependable co-workers, even if we aren't at the same institution. I feel like I followed the right path. People matter so much to me.




I finally saw Michelle again!

I'm not sure if there's anything else I want to add. I used to write more about what I saw and the amazing prints and "Whoa, how did they do that!"-- but now, I'm aging into the realm of being able to understand the intricacies of perfection. My expertise is not that of a master, but I find demos to be more engaging now that I can understand more of the concepts behind dot pattern warpage and paper shrinkage than I could as an early printmaker. But now I'm so tired of editioning that I hate the perfection. I embrace the idiosyncrasies and 22-year-old me would hate me for it.


I got to do a panel presentation at this MAPC with Lisette Chavez. We worked all summer on interviews and research for "The Printmaker as Collector" and it was a really fun and (I think) cool topic to share with other printmakers at the conference. We spoke about the overlaps between printmakers and collectors, including the need to have more than one of something, and the importance of variables and holding on to the tangible object. We delved into how collections influence certain artists and their work, especially the act of collecting, and what the whole process says about what we do as printmakers. Making multiples in a time of digitized media.


Me and Lisette getting stoked to give our presentation



All in all, MAPC was a great meeting of friends, as always. I miss them already.

The Print Show

September 30, 2016



"The Print Show" at Moberg Gallery

Curated by artists Mary Jones and Catherine Dreiss, "The Print Show" will showcase the work of over 20 artists at the Moberg Gallery in Des Moines, Iowa. Work will range from traditional prints on paper to installations that challenge and expand the definition of printmaking. I'm excited to be an invited artist to this expansive and excellent show of print work!




"Protected and Alone," 2015

Work I sent to this show includes several monotypes I created last summer at my residency at the SparkBox Studio in Canada. The techniques used are intentional: to replicate the idea of moments in time that cannot be reproduced or relived. These images are enriched by my affinity for rocks and their unique stories, including the ones that I make up for them. I like to ask questions like, "Can rocks be lonely?" I want to pursue these feelings in my work without sacrificing a scientific process to understanding the reality of their histories.

Mojave Preserve Residency

August 25, 2016



destination: Mojave National Preserve



I'm so happy that on this day, the 100th birthday of the National Parks Service, I get to announce my next residency. In the spring of 2017, I'll be traveling to the Mojave National Preserve in Southern California to do several weeks of drawing, filming, and research in the desert. I am so thrilled by this exciting opportunity that almost every day I wake up and think of something new that I can try when I make it out west. Most of all, I'm really pleased that I'll be somewhat following in the footsteps of one of the professors of my graduate committee, Dr. Mark Sweeney, whose research on dust often takes him to the Mojave and the various playas and dunes located in the region.




photo by Dr. Mark Sweeney



I will be staying at the Desert Studies Center at Zzyzx, which is a Cal State facility that harbors labs and equipment for a variety of scientists, so I'm hopeful that I'll be able to talk with geologists and biologists who will also be working in the region. At the beginning of summer, I will have an exhibition at the Kelso Depot, which is pretty centrally located within the Preserve and has survived since the early 20th century. I'm already excitedly thinking about the new work that I can produce out in the desert, inspired by these very different surroundings and amazing opportunities.

yesterday again

July 15, 2016



Siccar Point


artist book, 3.25” x 10.25”, monoprint and type on mulberry, with handcut edges and screenprinted details

I'm very thankful for everyone who came out my solo show "Omissions" at Provenance Gallery during the month of June. I love the great interaction provided by Provenance and the nature of my work fit so well into the small space of the gallery. I think a lot about the ways that different pieces can be affected by how they are displayed or shared, and the meanings that artwork can take based on its presentation or its craft.

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