Creating Fossils & Whispers : Part 2 of 2

February 2, 2016

Today is relase day for the book Fossils & Whispers, the artist book that Cat Snapp and I created during our book arts residency last summer. We are so excited to finally present it to the public, with so much thanks for your support and interest while we worked, tweeted, instagrammed our process!

completed edition of Fossils & Whispers

I thought for a long time about how my relationship with rocks and land is connected to being able to "read" them and to pick them up, and I believe Fossils & Whispers really resonates with that feeling. The small and intimate structure works well for me. The size is exactly right for a pocket, to take with you or to share, and makes me think of the kind of field books I like to reference in my life.

It surrounds me with big spirits - stoic, whispering, stern.

This is another field book for your collection, perhaps one for a different kind of journey that joins you to the experience you have with nature.

The earth is alive here.

In reference to a field book, Cat and I made a pocket-sized book that is expressive rather than scientific in our observations in nature. Passages in the book are written by both authors to create a unified voice, and drawings were made together to create the same feeling.

The mountain sits. Still. The mountain stares.

Fossils & Whispers is a book that illustrates our love of nature and the emotional impact it has on us. The feeling of being in the wild invigorates both of us spiritually, emotionally, and creatively. By looking at the spaces around us, we inevitably look back at our own bodies and question our place within the larger cosmos.

close up of end pages

In the weeks before our public release, two books have already been purchased. One is going to the permanent collection of the Bainbridge Island Museum of Art in Washington! In addition, the book is currently on display and available for purchase at Art.Science.Gallery in Austin and will be in the exhibition The Printed Page II at Abecedarian Gallery in Denver this month. If you have an interest in showing the book or obtaining it for your permanent collection, please contact us! For purchases, Fossils & Whispers is also available online from either artist at these links:

Cat Snapp's Shop

Nicole Geary's Shop

Finally, you can read Cat's post on the process and release on her blog! If you have any questions about the books or the process, please let us know.

Creating Fossils & Whispers : Part 1 of 2

February 1, 2016

During the summer of last year, you probably remember a lot of posts about the book that I was producing with Cat Snapp, a close friend, book artist, and printmaker. We are finally ready to release the book to the public tomorrow (yay!) and with that, all the information about how it came to be made. Today's post will cover starting the project through the residency stage, and give you a little background into how Cat and I worked. We will also be sharing more photos of the process!

I first met Cat while I was in graduate school at the University of South Dakota in a very small town called Vermillion. Every summer, my school hosted the Frogman’s Print and Paper workshops, and Cat was there one year with her beautiful prints and artist books. I immediately loved the intimacy and secrets that they seemed to at once present yet deny. I worked with the same kinds of topics, so when Cat saw my prints, she recognized and understood the work I made. We formed a kinship over our similar ideas, and when Cat said, “Why aren’t you making books?” I simply shrugged. I had no answer for this really wonderful concept.

me and Cat at Frogman's, 2012

Over the next few years, Cat and I would keep in touch as she graduated from the University of North Texas and I eventually finished my MFA and moved back to San Antonio, Texas. She ended up moving to the Pacific Northwest, though she has family and friends here in Texas. In the summer of 2014, I drove up to see Cat and chat with her while she was in Austin for a visit. While we talked and caught up, we discussed the idea of collaboration on a project together. Ever since Cat put the thought in my head back in graduate school, I wanted to see how a book would look if we made it together, especially as we had individual styles yet similar feelings about nature and spirituality.

In our preparations for this collaborative project, we discussed how our overlapping interests brought about the need for a small book, full of meditative drawings and internal thoughts on nature. The ideal way to bring our voices together was the creation of a collaborative book. I remember being at first excited about mimicking the idea of a nature book or field book, yet using this project as something like a guide for the world. The collaboration with Cat allowed me to open up my personal writing to someone else for the first time and to enjoy the challenge of making my intimate thoughts more concrete.

first ideas I sent to Cat in a mockup, 2014

In December of 2014, Cat was in Texas to visit family for the holidays, so we reserved an entire day of her trip just for studio and collaboration time. Drawing, sharing, and working on the same problems in the same place helped us make great strides. Though brief, we accomplished a lot, and decided to apply for a residency to further our time together to finish to project. We were awarded two weeks to create the book at the Southwest School of Art in San Antonio during the summer of 2015. Before the summer arrived, we continued to send each other drawings or mock-ups back and forth, chat online, and use online document sharing programs in order to prepare for the residency.

working with Cat in my studio, December 2014

Cat and I kept a calendar of all the work that needed to be completed by certain dates in order to maximize our production schedule once we began our residency. We needed to have a lot of images created and finished quite quickly in order for Cat to vectorize them and turn them into polymer plates ahead of our residency time. We also knew early on that the look of typewritten text was important to us, so I needed to service my 1959 Smith-Corona Galaxie typewriter and make sure it was in proper working order. Cat sent ahead a lot of supplies that she has from being a book artist, including papers that we ordered and she pre-cut on her large paper cutter.

Our residency began in July of 2015, but Cat arrived a few days early so that we could work in my home studio on preparation for production, including finalizing the text and preparation of the bookboards. I will forever associate the song “This Is How We Do It” by Montel Jordan with our sessions of cuttings text blocks out of our writing and images, making up our mock up for the book. Everything that we had been planning for was starting to come together!

creating the first mock up

In the studio, we began by figuring out colors for the different parts of our book, including some really lovely endpages. Cat mixed colors while I took apart the mock-up and sorted out measurements for each page to type it by hand. Fossils & Whispers has alternating translucent and opaque pages, so the images and text on each page interacts with adjacent pages. It was important that Cat and I worked together on images and text to make sure that each page coordinated exactly as we had planned in our mock up, which we jokingly referred to as “the bible” during this process. As I typed, Cat set up plates on the Vandercook and printed the images, and we worked back and forth over the next week to finish all the printing and typing by our target.

sorting out colors to test for plates

Cat testing a split fountain for an important image

our all important mock up!

Once the pages were finished and stacked, we checked them all for quality and consistency. We then went through and began collating stacks into text blocks. This was one of the most exciting times for me, because we were about to transform flat prints into dimensional objects. Over the next few days, I followed Cat’s lead on a lot of these new experiences, as I had only ever made a few books before, and never editioned anything so brilliant. We sewed book blocks, created covers and insets, and finally glued the book blocks into the covers. This was really an anxious experience after all the work we had done, but after drying overnight, the books turned out great!

final assembly of book blocks into the covers

Tomorrow, both Cat and I will publish posts with more specifics about the book, including what kind of paper it's printed on, what size it is, and our statement for its purpose. Read Cat's posts here!

January updates

January 19, 2016

Today I get to announce several wonderful bits of news. The first is an especially exciting and humbling one, as I was chosen as one of this year's awardees for the Artist Foundation of San Antonio. I join the ranks of around 100 other artists in San Antonio who have been selected by the foundation, whose goal is to support individual artists in the creation of new work. Each award is for $5,000 and is designed to "recognize artistic achievement, dedication to an artistic discipline and the potential for further professional development." I'm honored to have been selected for the Department for Culture & Creative Development Award for Multidisciplinary Arts, the first year this award has been given.

Artist Lab participants, 2015

photo credit: Kiko Martinez

I will also be taking part in the Artist Lab Panel Discussion to be hosted at the Guadalupe Cultural Arts Center and moderated by local arts curator and educator Joseph Bravo. All five of us (Fernando Andrade, Kim Bishop, Daniela Riojas, Luis Valderas, and myself) will be discussing our work on display at the Galería Guadalupe and our time as part of the Artist Lab residency. The event is going to take place on Saturday, January 30 at 1pm and admission is free. Many people are planning on coming out to the event, including the next round of Artist Lab participants, so this will be an exciting opportunity to talk about the nature of contemporary arts in San Antonio.

In other news, I found out a few months ago that I was one of the artists chosen for the Interdisciplinary Residency at Hospitalfield this March in Scotland. I'm thrilled to be going back to this land that I love, full of such geological history and richness. I'll also have the privledge to be spending two weeks making books in a wonderful space dedicated to contemporary art and ideas, with a trust enabled to further education to support these goals.

Studio Interview

November 8, 2015

I'm looking pensive in this morning's studio interview with Essentials Studio. The wonderful and talented Fabian and Steven made me look and sound good while I talked about my experience with Artist Lab with Mark Anthony Martínez.

in my home studio

photo credit: Mark Anthony Martínez

The interview is part of the documentation of our journey as residents through the engagement of Artist Lab, and the commitment to its practice and requirements. It's like looking back on who you were when you began and identifying what your successes are today. We are each asked to give a piece of advice to incoming Artist Lab residents, too: mine is to relish every moment, but to be ready to let your previous notions about yourself and your work be challenged, because in that challenge you will find growth.

Artist Lab trip to New York

October 12, 2015

The amazing residency that I am a part of here in San Antonio called Artist Lab recently sent all its residents on a 5 day trip to New York City at the beginning of the fall season.

Fernando Andrade, Nicole Geary, Daniela Riojas, Kim Bishop, Luis Valderas

photo credit: Mark Anthony Martínez

We began by visiting the studio of Diogenes Ballester in Spanish Harlem, and then attending his show opening in Chelsea. The day was full of welcoming attitudes and open doors. We talked about Diogenes' work and saw his concepts developing in his studio. His show was a beautiful amalgamation of painting and drawing works, and was at the same building as many other galleries. I left early to take off to Central Booking for another show opening, and met up with the fabulous lady who runs it, Maddy Rosenberg. To finally see the spaces that I read about and know of from various shows was exciting.

finally at Central Booking!

On Friday we went to Chelsea and saw the new Whitney. The building itself is situated in a great location; I enjoyed the playful airiness of it and its nearness to The High Line. The collection is wonderful and the prints on display were very topical - but that's the great joy of printmaking. Prints are always on the pulse of society. After several hours in the Whitney, we noshed on a delicious lunch together of pizza and beer, and then continued on to some great Chelsea galleries. As if that wasn't enough, we ended our day with the free Friday evening at the MoMA. So much art in only one day... by the end of it I was saturated.

Abel Barroso at Robert Miller Gallery

On Saturday morning, we all went out for a casual walk in Central Park, where Fernando and I collected rocks and sticks that related to our personal work. It was a pleasant morning, and a great opportunity to take some time off from the New York hustle. Later, we all met up at MoMA PS1 for the New York Art Book Fair. There were rooms and rooms filled with artists, publishers, and small press outfits. Some zines, some printmaking brothers and sisters, and some good displays of print media. At the end of the fair, we had another joint dinner, where the beer flowed and the art talk was plentiful. It was nice to relax with my resident buddies.

my haul from the NYABF

Sunday was a big day, because we had several galleries left to visit, and we tried to hit them all. We began at the Frick, an old favorite, and saw some of the Old Masters. We journeyed next to SoHo for lunch (because the Drawing Center was closed for installation!), and then down to Brooklyn to see the amazing A.I.R. Gallery in the DUMBO neighborhood. The next stop was the Brooklyn Museum, which has been a top destination of mine since learning that is where "The Dinner Party" is housed. It's an amazing sight to see in person, and I have no words to express how it makes me feel to see it.

Judy Chicago's "The Dinner Party"

Before leaving on Sunday, we had the chance to meet with The Surdna Foundation, who supports our community-based initiative and wanted to know about our progress. I am glad to have taken part in this trip which provided the chance to see galleries, museums, and visit studios that sit at the center of the art world. Our place in San Antonio is growing, and we want to make strides that bring us in league with bigger communities and give us the knowledge and expertise that these kinds of opportunities can offer us.


To read about my fellow resident Luis Valderas' journey, you can visit his blog entry on our NYC trip and see his photos, too.
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